[gdlr_frame type=\u00a0\u00bbrounded\u00a0\u00bb align=\u00a0\u00bbleft\u00a0\u00bb caption=\u00a0\u00bbL\u2019Oeuvre Compl\u00e8te pour Violon
\net Piano de Georgy Catoire
\n(NAXOS 8.573345)\u00a0\u00bb] [gdlr_image_link type=\u00a0\u00bbimage\u00a0\u00bb image_url=\u00a0\u00bbhttps:\/\/lkayaleh.kayaleh.com\/wp-content\/uploads\/2014\/05\/lk-catoire_juillet16_small.jpg\u00a0\u00bb link_url=\u00a0\u00bbhttps:\/\/lkayaleh.kayaleh.com\/wp-content\/uploads\/2014\/05\/lk-catoire_juillet16_large.jpg\u00a0\u00bb alt=\u00a0\u00bbL\u2019Oeuvre Compl\u00e8te pour Violon et Piano de Georgy Catoire (NAXOS 8.573345)\u00a0\u00bb]
\n[\/gdlr_frame]Large-scale music, then, and Laurence Kayaleh and St\u00e9phane Lemelin give it large-scale performances [\u2026] they\u2019re both powerful players and the music often suits a red-blooded approach (listen to Kayaleh from 6\u201919\u00a0\u00bb in the Second Sonata to hear her low register in all its gutsy glory). They\u2019re at their best in Catoire\u2019s grand, cascading climaxes.
\n[gdlr_space height=\u00a0\u00bb20px\u00a0\u00bb]
\n[gdlr_button href=\u00a0\u00bbhttps:\/\/lkayaleh.kayaleh.com\/extraits-de-presse\/\u00a0\u00bb target=\u00a0\u00bb_self\u00a0\u00bb size=\u00a0\u00bbmedium\u00a0\u00bb background=\u00a0\u00bb#4fbed6″ color=\u00a0\u00bb#ffffff\u00a0\u00bb with_border=\u00a0\u00bbyes\u00a0\u00bb border_color=\u00a0\u00bb#368799″]Plus d’Extraits de Presse[\/gdlr_button]<\/p>\n","protected":false},"excerpt":{"rendered":"
[gdlr_frame type=\u00a0\u00bbrounded\u00a0\u00bb align=\u00a0\u00bbleft\u00a0\u00bb caption=\u00a0\u00bbL\u2019Oeuvre Compl\u00e8te pour Violon et Piano de Georgy Catoire (NAXOS 8.573345)\u00a0\u00bb] [gdlr_image_link type=\u00a0\u00bbimage\u00a0\u00bb image_url=\u00a0\u00bbhttps:\/\/lkayaleh.kayaleh.com\/wp-content\/uploads\/2014\/05\/lk-catoire_juillet16_small.jpg\u00a0\u00bb link_url=\u00a0\u00bbhttps:\/\/lkayaleh.kayaleh.com\/wp-content\/uploads\/2014\/05\/lk-catoire_juillet16_large.jpg\u00a0\u00bb alt=\u00a0\u00bbL\u2019Oeuvre Compl\u00e8te pour Violon et Piano de Georgy Catoire (NAXOS 8.573345)\u00a0\u00bb] [\/gdlr_frame]Large-scale music, then, and Laurence Kayaleh and St\u00e9phane Lemelin give it large-scale performances [\u2026] they\u2019re both powerful players and the music often suits a red-blooded approach […]<\/p>\n","protected":false},"author":1,"featured_media":2437,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/lkayaleh.kayaleh.com\/fr\/wp-json\/wp\/v2\/posts\/2433\/"}],"collection":[{"href":"https:\/\/lkayaleh.kayaleh.com\/fr\/wp-json\/wp\/v2\/posts\/"}],"about":[{"href":"https:\/\/lkayaleh.kayaleh.com\/fr\/wp-json\/wp\/v2\/types\/post\/"}],"author":[{"embeddable":true,"href":"https:\/\/lkayaleh.kayaleh.com\/fr\/wp-json\/wp\/v2\/users\/1\/"}],"replies":[{"embeddable":true,"href":"https:\/\/lkayaleh.kayaleh.com\/fr\/wp-json\/wp\/v2\/comments\/?post=2433"}],"version-history":[{"count":0,"href":"https:\/\/lkayaleh.kayaleh.com\/fr\/wp-json\/wp\/v2\/posts\/2433\/revisions\/"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lkayaleh.kayaleh.com\/fr\/wp-json\/wp\/v2\/media\/2437\/"}],"wp:attachment":[{"href":"https:\/\/lkayaleh.kayaleh.com\/fr\/wp-json\/wp\/v2\/media\/?parent=2433"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lkayaleh.kayaleh.com\/fr\/wp-json\/wp\/v2\/categories\/?post=2433"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lkayaleh.kayaleh.com\/fr\/wp-json\/wp\/v2\/tags\/?post=2433"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}