[gdlr_space height=\u00a0\u00bb30px\u00a0\u00bb] Composer<\/strong> Catalogue number Kayaleh\u2019s warm, gentle sound is especially well suited to the espressivo richness of the early D minor Sonata (\u2018no.0\u2019), an astonishingly assured work dating from Honegger\u2019s first year at the Paris Conservatoire. Kayaleh traces the music\u2019s radiant contours with a heightened sensitivity to phrasing and an occasional portamento inflection, whose precision timing brings to mind the young Heifetz. The two numbered sonatas are exploratory works that require enormous skill and patience, and here Kayaleh and Stewart achieve a near\u2011perfect balance between youthful exuberance and a beguiling sense of inner calm, complemented by exceptionally well-balanced sound.<\/p>\n In the tricky four-movement Solo Sonata, Kayaleh produces a seductively cushioned sound on her glorious 1742 Guarneri, although here I wondered whether she might have thrown herself into the fray with an even greater sense of abandon. A unique collection of Honegger\u2019s chamber music for violin [gdlr_space height=\u00a0\u00bb30px\u00a0\u00bb] [gdlr_frame type=\u00a0\u00bbborder\u00a0\u00bb align=\u00a0\u00bbleft\u00a0\u00bb margin-bottom=\u00a0\u00bb0px\u00a0\u00bb] [gdlr_image_link type=\u00a0\u00bbimage\u00a0\u00bb image_url=\u00a0\u00bbhttps:\/\/lkayaleh.kayaleh.com\/wp-content\/uploads\/2014\/05\/lk-honegger_small2.jpg\u00a0\u00bb alt=\u00a0\u00bb \u00a0\u00bb link_url=\u00a0\u00bbhttps:\/\/lkayaleh.kayaleh.com\/wp-content\/uploads\/2014\/05\/lk-honegger_large.jpg\u00a0\u00bb target=\u00a0\u00bb_blank\u00a0\u00bb][\/gdlr_frame] Musicians Laurence Kayaleh (violin) Paul Stewart (piano) Composer Honegger Catalogue number Naxos 8.572192 [gdlr_space height=\u00a0\u00bb15px\u00a0\u00bb] Laurence Kayaleh and Paul Stewart follow up their fine two-disc Medtner survey for Naxos with the only single […]<\/p>\n","protected":false},"author":1,"featured_media":242,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/lkayaleh.kayaleh.com\/fr\/wp-json\/wp\/v2\/posts\/239\/"}],"collection":[{"href":"https:\/\/lkayaleh.kayaleh.com\/fr\/wp-json\/wp\/v2\/posts\/"}],"about":[{"href":"https:\/\/lkayaleh.kayaleh.com\/fr\/wp-json\/wp\/v2\/types\/post\/"}],"author":[{"embeddable":true,"href":"https:\/\/lkayaleh.kayaleh.com\/fr\/wp-json\/wp\/v2\/users\/1\/"}],"replies":[{"embeddable":true,"href":"https:\/\/lkayaleh.kayaleh.com\/fr\/wp-json\/wp\/v2\/comments\/?post=239"}],"version-history":[{"count":0,"href":"https:\/\/lkayaleh.kayaleh.com\/fr\/wp-json\/wp\/v2\/posts\/239\/revisions\/"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lkayaleh.kayaleh.com\/fr\/wp-json\/wp\/v2\/media\/242\/"}],"wp:attachment":[{"href":"https:\/\/lkayaleh.kayaleh.com\/fr\/wp-json\/wp\/v2\/media\/?parent=239"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lkayaleh.kayaleh.com\/fr\/wp-json\/wp\/v2\/categories\/?post=239"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lkayaleh.kayaleh.com\/fr\/wp-json\/wp\/v2\/tags\/?post=239"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n[gdlr_frame type=\u00a0\u00bbborder\u00a0\u00bb align=\u00a0\u00bbleft\u00a0\u00bb margin-bottom=\u00a0\u00bb0px\u00a0\u00bb] [gdlr_image_link type=\u00a0\u00bbimage\u00a0\u00bb image_url=\u00a0\u00bbhttps:\/\/lkayaleh.kayaleh.com\/wp-content\/uploads\/2014\/05\/lk-honegger_small2.jpg\u00a0\u00bb alt=\u00a0\u00bb \u00a0\u00bb link_url=\u00a0\u00bbhttps:\/\/lkayaleh.kayaleh.com\/wp-content\/uploads\/2014\/05\/lk-honegger_large.jpg\u00a0\u00bb target=\u00a0\u00bb_blank\u00a0\u00bb][\/gdlr_frame] Musicians<\/strong>
\nLaurence Kayaleh (violin)
\nPaul Stewart (piano)<\/p>\n
\nHonegger<\/p>\n
\nNaxos 8.572192<\/strong>
\n[gdlr_space height=\u00a0\u00bb15px\u00a0\u00bb]
\nLaurence Kayaleh and Paul Stewart follow up their fine two-disc Medtner survey for Naxos with the only single disc of Honegger\u2019s four violin sonatas currently available. It makes for fascinating listening as the three accompanied sonatas date from between 1912 and 1919, a time when Honegger was still finding his creative feet working with sonata procedures, whereas the Solo Sonata of 1940 revisits the Bach tradition from the perspective of an out-and-out neo-Classicist.<\/p>\n
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\n[gdlr_button href=\u00a0\u00bbhttps:\/\/lkayaleh.kayaleh.com\/?page_id=51″ target=\u00a0\u00bb_self\u00a0\u00bb size=\u00a0\u00bbmedium\u00a0\u00bb background=\u00a0\u00bb#4fbed6″ color=\u00a0\u00bb#ffffff\u00a0\u00bb with_border=\u00a0\u00bbyes\u00a0\u00bb border_color=\u00a0\u00bb#368799″]Acc\u00e9der aux extraits de presse[\/gdlr_button]
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\n[gdlr_button href=\u00a0\u00bbhttps:\/\/lkayaleh.kayaleh.com\/album\/1-arthur-honegger-fr\/\u00a0\u00bb target=\u00a0\u00bb_self\u00a0\u00bb size=\u00a0\u00bbmedium\u00a0\u00bb background=\u00a0\u00bb#4fbed6″ color=\u00a0\u00bb#ffffff\u00a0\u00bb with_border=\u00a0\u00bbyes\u00a0\u00bb border_color=\u00a0\u00bb#368799″]Ecouter les extraits du CD de Honegger[\/gdlr_button]<\/p>\n","protected":false},"excerpt":{"rendered":"